
I do my best work when the way forward is still taking shape.
Across 20 years in feature film, animation, VFX, high-end advertising, real-time production, and emerging platforms, my work has centered on leading projects that push the medium while building the systems to deliver them.
I work at the edge of what the tools can do, moving between creative direction and production architecture as a single practice. That means leading teams, designing systems, and staying close enough to the work to understand what should be protected and what should evolve.
The explorations I'm most proud of come from genuine collaboration across disciplines, where creative intent and technical invention develop together and raise the standard of work.
I have had the chance to apply that approach across studios, platforms, and brands including Netflix, Disney, Apple, and Samsung, contributing to work recognized by the Academy Awards, Cannes Lions, the Emmys, D&AD, the VES, and the Annie Awards.
If something you’re building requires that same mix of invention, craft, systems, and scale, I’d like to hear about it.
I do my best work when the way forward is still taking shape.
Across 20 years in feature film, animation, VFX, high-end advertising, real-time production, and emerging platforms, my work has centered on leading projects that push the medium while building the systems to deliver them.
I work at the edge of what the tools can do, moving between creative direction and production architecture as a single practice. That means leading teams, designing systems, and staying close enough to the work to understand what should be protected and what should evolve.
The explorations I'm most proud of come from genuine collaboration across disciplines, where creative intent and technical invention develop together and raise the standard of work.
I have had the chance to apply that approach across studios, platforms, and brands including Netflix, Disney, Apple, and Samsung, contributing to work recognized by the Academy Awards, Cannes Lions, the Emmys, D&AD, the VES, and the Annie Awards.
If something you’re building requires that same mix of invention, craft, systems, and scale, I’d like to hear about it.
I do my best work when the way forward is still taking shape.
Across 20 years in feature film, animation, VFX, high-end advertising, real-time production, and emerging platforms, my work has centered on leading projects that push the medium while building the systems to deliver them.
I work at the edge of what the tools can do, moving between creative direction and production architecture as a single practice. That means leading teams, designing systems, and staying close enough to the work to understand what should be protected and what should evolve.
The explorations I'm most proud of come from genuine collaboration across disciplines, where creative intent and technical invention develop together and raise the standard of work.
I have had the chance to apply that approach across studios, platforms, and brands including Netflix, Disney, Apple, and Samsung, contributing to work recognized by the Academy Awards, Cannes Lions, the Emmys, D&AD, the VES, and the Annie Awards.
If something you’re building requires that same mix of invention, craft, systems, and scale, I’d like to hear about it.
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